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Titus Andronicus and Aaron the Moor

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Throughout Shakespeare's play, "Titus Andronicus," social class is highlighted and emphasized in the character, Aaron. The racially biased society that is made up of the Romans and the Goths in Shakespeare's play particularly draw to attention the judgments and alienation placed on black people. In "Titus Andronicus," Act II, Scene II, Bassianus and Lavinia's reactions to Tamora being Aaron's lover contributes to the notion of 16th century stereotypes of black or dark skinned people. Bassianus and Lavinia harshly describe Aaron as "a barbarous Moor and a "foul desire." According to the characters and also the 16th century Shakespearean audience, dark skin was equivalent to dirty thoughts and actions. Because he is a Moor (medieval Muslim), Aaron is instantly considered dark and dirty, making a white woman like Tamora seem contaminated by his touch. Lavinia attacks Tamora by voicing: "I pray you, let us hence, / And let her joy her raven-colour'd love  (3.2.2). Lavinia speaks aggressively racially of Aaron in this play, making Aaron seem almost victimized. However, the audiences of Shakespeare's play portray no sympathy for the racism Aaron is faced with because of his egregious, zero-motive actions throughout the play. If not done directly by his hand, Aaron serves as a catalyst for every bad outcome in the play. He causes Lavinia to be raped, tricks Titus into cutting off his hand, murders men, eradicates a maid, and creates the downfall and death of almost every character in Titus Adronicus. During his long monologue in scene V act I, Aaron proudly lists all of his sins and wishes he could have committed more. He even embraces his stereotype by declaring ,"Aaron will have his soul black like his face  , which underlines how the word black is synonymous to evil (3.1.4). Aaron's race also brings into attention the alienation that came along with the racially biased society in Elizabethan times. When the nurse in Titus sug

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