It is vital to recognize the nature of reality is subjective to changes with each obstacle we encounter. Along the journey of self-discovery, there is an inherent struggle between acting without constraints and living within the confines of outside expectations, mistaking their happiness as our own satisfaction. Too often, there are those that stray off the path of serenity and delve into the labyrinth of forged desires and perception. However, there are hidden elements within conventional society that may allow us to access our primal and authentic selves. Such as art, a cultivated form of expression that requires beauty, symmetry, uniqueness and authenticity at its core; yet it is so ambiguous in its delivery and invites its guests to conjure interpretations their experiences will allow them. Along with art, the natural world forces the barrier of time and dimension to ensure that no matter how much civilizations may change, that virtuous traits will remain at the centre. It is impossible to expect reality of human nature will be composed of both harmony and melancholy; it is the displeasing experiences that will ultimately teach the underlying workings of reality. Through the teachings, it hopes to sway the path of destruction for the natural world, for the fatal flaws of humans have easily taken control. Art itself holds the untainted nature of man that is too integral and cannot be manipulated and exploited. In assessing and ranking something as instinctual as self-expression, it oppresses human nature to discarding their identity and conform instead. As Erich Fromm once said "modern man lives under the illusion that he knows what he wants, while he actually wants what he is suppose to want," these futile attempts to evaluate as innate as creativity and expressive desire to bureaucratic standards has distorted the meaning of success and achievements. In Michael Leunig's novel, "The Lot," he expresses the three treasures any man would have, "his painting, beautiful sincerit