Dolores Flamiano explains in her article, "Japanese American Internment in Popular Magazines," that the past historiographies on photojournalism in popular American media during the Japanese Internment typically used the scope of the justified American government and their reasoning of the camps. They used two prominent photographers, Dorothea Lange and Ansel Adams, to help convey their message. The two photographer's images have been looked at in differentiating viewpoints by historians and Flamiano explains that they have helped us to look at how history of the internment has evolved and in its captioning of photographs, how even if the photographer was trying to get one message across, the editor of that magazine still had his final say. This editor could easily make the photograph work towards his angle. Flamiano looks at historiographies back from the 1970's up until today and how they have been viewed. Flamiano also goes on to share about a photographer who was less discussed by historians and her perspective gives recognition to his photographs featured in LIFE magazine during the Japanese Internment. This photographer, Carl Mydans, had a unique experience in going into one of the more exclusive camps that held Japanese Americans who refused to draft into the U.S. army and still showed allegiance to Japan. Interestingly enough, Mydans had spent a while as a prisoner of war in a camp in Manila under Japanese control. He was received as a hero when he returned. He was able to reverse the role as now he was a free person going into a camp and documenting the lives of these Japanese Americans through his photographs. His photographs were more menacing than those who had taken more patriotic photos of the Japanese; trying to get across the message that the Japanese are loyal to America and the camp life is really not as bad as it was. His photos also transcended photojournalism and the internment. Photographs of the troublemakers in