The iconic architecture is a benchmark to pursue for most of contemporary designers; it exists in every city, every town and every neighborhood for all ages. The iconic architecture reflects one period design booming style and other decline trends. At best, the iconic architecture designs embody current state of society; people’s satisfactions in terms of art form; and the further development of the people’s life. However, not all the iconic architecture projects are considered as valuable and timeless design, they can be defined as double edge sword. The anti-iconic architecture creates an environment that makes audiences feel ambivalent. It always challenges people’s traditional artistic notion; such as Frank Gehry’s “Guggenheim Museums”, and Zaha hadi’s “London Aquatics Centre”. Frank Gehry is a pioneer in the contemporary architecture design field; nonetheless. Gehry’s large metallic materials construction disturbs the neighbors when the dazzling sunlight is reflected into the inhabitants’ home. The iconic and anti-iconic debate is rumbling on-it can make or destroy a typology. I agree with the further development of anti-iconic architecture in the world. The most important condition to identify a successful iconic architecture has to agree the standard of “sustainable design”. No matter how the design technology is changing, the environmental friendly concept has to be consistently aligned with. For example, the most influential contemporary architect Frank Gehry produces dominated designs in the form of sculpture language. Metallic texture pops up the unique structure and façade, it demonstrates the abstract fine art in the seriously architecture design. When the people get into interior, the space is more complex and inefficient; the staggered structure crossing the roof occupies a lot of vacant space, the commercial investment and material resources are all doubling than the sam