For the assignment I have chosen to analyze the ending sequence of Michelangelo Antonioni's 1966 film, Blow-Up. The sequence begins with photographer, Thomas', return to the park during the day to photograph the dead body and ends with the "End  title as Thomas fades away. After attempting to make sense of the photographs he took at the park, Thomas discovers that he has, in reality, photographed a murder. He visits the park late at night preceding the final scenes and finds the body yet upon his return to photograph the body during the day it is no longer there. The scene begins with a shot of Thomas climbing the stairs in the park that lead towards where he originally photographed the couple and the murder. Anticipation is built up by following Thomas's approach towards the bush then cutting to a shot where we are placed in front of Thomas on the other side of the bush as he looks around and realizes that there is no longer a man's body there. It is interesting to notice that before he noticed the body missing as he walked through the park he first adjusts his camera, then holds it by his side in with his hand wrapped around its body and his finger on the trigger; almost like it is an extension of himself. Yet after realizing the body is missing he bends down and begins analyzing the place he saw the body and the hand holding the camera goes limp suggesting that the camera's purpose is no longer relevant. Instead we begin to follow his gaze as he suddenly looks up at overhanging branches on a tree as they rustle. In the following shots we follow Thomas as he walks around tentatively, making a stops and circling around. We are also aligned with his gaze as he looks at different things in the park and now he is holding the camera by its strap; further disconnecting him from the body of the camera. Now we have seen that he is not leaving the park the way he came and walks past the bush. Now we are introduced to the second part of the sequence when the clip suddenly cuts to the same group of yelling, trouble making mimes as they drive around the park catastrophically. The sounds and images of rustling trees from the first part are juxtaposed with the waving and yelling of the mimes a