Decades ago, people had erotic daydreams and fantasies that they would suppress into the back of their minds, in the hopes that it would be forgotten. They would have never dared to utter their sexual desires out loud, much less transfer it to paper and then publish it onto the Internet. This act of transference marks the evolution of a thought into a story. Structure the story as a spin-off from another original work, such as a television series or a book, and it gets established as "fan-fiction." This term is used to describe stories produced by fans that have extended upon original meanings imposed by the actual creators of these texts. From fan-fiction, stem a whole new sub-product - slash fiction; stories of same-sex male pairings that constitute one of the main genres of fiction. The term derives from the slash between the names of the characters in the relationship. The discovery of the Internet witnessed a rise in the popularity of slash fiction “so much so that it is considered a norm in every type of fandom." Its popularity levels make it a platform that readers and writers alike are now able to turn to, in the hopes that their thoughts and desires will be fulfilled. This has thus attested to a change in the content provided, and the topic of sex and erotic fantasies, become minor details embedded in the storyline. The plots deal with larger issues at hands and writers write of universes with different politics and social values, with the desire to prompt a change in our current world. This is best proven through the case of fan-fictions, within the realms of Korean pop. The fandom is question for this paper is the "Exo  fandom. Exo is one of Korea's most famous boy-bands, who have garnered tremendous success within the time-span of two years. The male group constitutes 10 members and with an increase in number of members, comes an increase in the number of pairings, which prompts the continuous production of fan-fiction. The construction of these fan-fictions will be examined alongside the theoretical framework of Constance Penley. Penley's claims stems from her analysis of the slash fandom that arose from the television series, Star Trek. She explores K/S slash in particular; fan-fiction that establish Kirk and Spock in a sexual relationship with one another, regardless of the fact that no aspect of the original work actually hints that the two characters are romantically entangled. She centralizes her research on the production aspect of these fan-fictions, questioning the motives of the writers; her primary question being why these writers chose to center their erotic stories around two men (483). She prompts the issue of politics when she notes how the relationship is that between people of the same gender. Were the writers trying to make a statement regarding gay politics and were they themselves, homosexual? These questions were further complicated when Penley discovered that the composition of the fandom was "completely female and heterosexual  (483); a composition that mirrors that of Exo's fandom. These female slash writers somehow manage to find meanings embedded in the given texts, that the original producers never intended. Through her research, Penley discovered that there were several reasons why these K/S slash were so appealing for these writers. It firstly, offered an alternative universe for these fans, in which their utopian desires could be activated. It was believed that the social and political values housed in this alternative world were translated into our world, that our own would be a much better one. Secondly, centralizing their stories around Kirk and Spock allowed for the construction of a type of masculinity that these writers felt deprived of, in their daily lives. They yearned for a masculinity that integrated feminine elements as well “ a man that would be sensitive and nurturing, without being wimpy (Nystrom, Cultural Studies lecture, Nov. 17th). Thirdly, it created a space in which fantasizing