During the 1700s, Baroque art, music and architecture became bizarre, dramatic and more extravagant than ever before. Artists began to follow a rather non-realistic way of creating and led the audience into an imaginary world, especially due to their usage of intensive contrasts. This happened after the period of Renaissance. The Baroque era was the result of the dramatic changes in the High Renaissance and of a counter-reformation from the protestant movement. The Baroque art style was one of the results of the counter-reformation. The counter-reformation represented a response, to a movement, by religious groups between and against the Roman Catholic Church. Artists and performers tend to assimilate their political thoughts and ideas into their works. They often create an illusion and message to the public. In Theater of Truth, it mentions, "The major strategy posits a separation between a representation and the reality hidden behind it in order to smuggle certain presuppositions into yet another representation that it will try to sell as reality itself" (Page 7). The public will unconsciously believe what they being exposed to just like the way we are being exposed to media today. Another strategy is minor strategy, major strategy is to combine political realities behind the one screen of appearances by not just enabling, but secretly encourage spectators to import the fictitious “realities” into their understanding of reality itself. The Italian Renaissance, which was the changing period of arts and sciences in the end of the middle Ages. Baroque developed during a humanistic era, that changed the view of people to understanding something because of reason, and depreciated the conservative way of thinking and especially its style of art to a more abstract way. Still, Baroque was not considered as a proper style during its period. Artists such as Peter Paul Rubens had a taste for the dramatic and stopped using exact symmetry an