Last Thursday, I had seen the Pulitzer and Tony Award Winning play "Clybourne Park," written by Bruce Norris and directed by Ralf Remshardt. "Clybourne Park" is the spin-off of Lorraine Hansberry’s "A Raisin in the Sun." The stage was setting up as a truly house. "Clybourne Park" is an allegory about racial problems. In Act One, Russ and Bev sold their house to a “colored” family, which triggered the flutter among the mid-class community. The audiences were led to 50 years later in the second act. Now the community has become a black residential area, Steve and his wife Lindsey plan to pull down and rebuild the house. But other neighborhoods hold different opinions with them. As time goes by, even in the same house, the interests between people are changed. A good play can hardly do without the good acting. Unlike movies or drama, we could see every detail and emotion of actors. The play, which requires actors, should have superb sills for delivering their lines. In the Clybourne Park, each of the seven actors plays a totally different character in two acts. It was necessary for them to have strong ability to catch emotional pitch and memorize the script. Matthew Lindsay, playing an Improvement Association of the community with full of racism in the first act, has speaking as a well-educated white man in the second act. Prior to this play, I have never seen Matthew Lindsay in any plays. But he did a wonderful performance in his portrayal of both Karl and Steve. Matthew Lindsay’s attire quickly informed the audience of his status. The well-pressed suit, stiff collars and fixed hair portrayed a man on the middle of the society with high opinion of himself. And to me, the highlight of the first act is the conversation between Karl with others. Karl (Matthew) determined to stop the sale then came to Russ’s home and tried to buy back the house. One can easily feel his superiority as white through his impressions and voices. During