Charles Lamb was an eighteen century essayist but he also wrote essays during early 19th century. Parallel with prose writing he also wrote poems, it was due to his intimate relation with Coleridge who was an eminent romantic poet. His essays have a universality regarding all aspects. No doubt, he copied from writers of 16th or 17th century at some extent, but he was innovative in his style. Reflection of Elizabethan style can be traced from his essays but mostly he tried hard to entertain and recreate his readers through his own peculiar style. He was also a lover of Milton, Sir Thomas Browne, Burton, and Isaac Walton; their literary taste also affected Lamb’s writing style. Despite this, he also has some striking characteristics in his style. Even though, mostly readers complain that Lamb’s style is out-moded and out-dated, and it may be due to his attachment with Elizabethan writers; but one thing is clear that his style contains abundant amount of mannerism. Mannerism in his style is one striking feature of his writing which envelopes rest entire flaws in his style. Seldom one or two essays are devoid of this marvelous feature otherwise his all essays contain this trait and it is the secret of his charm. This trait shatters off monotonous or tiresome situation from readers’ mind and they don’t feel fatigue while reading his essays. When we read his essays like, Chapter on Ear, The two Races of man, and Popular of Fallacies our appetite for read more and more cannot be fulfilled. If we call that mannerism is outstanding and striking feature of his writing style it will not be exaggeration. Self-revelation in his style is another unique trait which stands him apart not from his predecessor but also from his followers. He excels in this characteristic because he does not let anything hidden from his reader and this thing creates charm in readers’ mind. That is also main cause that vanishes monotonous like condition from rea