In the words of Steve Jobs, "No one wants to die." Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It clears out the old to make way for the new. Weaved throughout, Before Sunrise directed by Richard Linklater, there is a synthesizing of ideals of a great Shakespearian tragedy and its foil the Shakespearian comedy, of the fear the submission of death while being filled with love and comedy. The cookie cutter story of two lovers, Celine and Jesse, meet paths in a train, making a pact that regardless the odds they were getting off to roam Vienna, enchanted by the romance and cultural of their surroundings, all till reality hits them again at sunrise. Beyond it being a “love” story it has a minimalistic plot, with not much happening, aside from walking and talking with a few kisses here and there; it integrates the simplest rendition of the romantic’s conflict between love and its obstacles. The odd thing of the film, is that the dialogue contradicts the characterization of this being a romantic/ dramatic film. The dialogue, carries a strong pull towards a tragedy with the fusion of the themes of death, love vs. time, and the cameos of religious ideals of life and reincarnation, minus the whimsical death. Conversations preoccupied with death, transience and the fragility of life. It’s safe to say that, the influence of the protagonist is the fear of death and mortality, while fighting against time. The question being what happens after sunrise? Nevertheless, Celine’s fascination and attraction to death and reincarnation lead to the magnetism between her and Jesse. That same fascination mutates to an obsession, starting to infect every aspect of her life travel, decision making, and even her choice of literature. In fact, when the couple fi