The characters of Stanley Kowalski and Regina George are the dominant protagonists in their respective texts, they earn this role through their ruthless fight to feed their insatiable hunger for power; by manipulating whomever in order to gain ultimate supremacy. Stanley and Regina both use their good looks, wealth and domineering character in order to exert control. Regina is a member of the group called the “plastics”; there is an allusion to artificiality and the illusory beauty created by plastic surgery. They are proud of this image due to the fact it suggests control; even over the way one looks. Regina is first introduced to us by being carried onto the field by jocks, with Janice Ian commentating “Evil takes a human form in Regina George.” The carrying of Regina by the jocks reinforces the idea of her sexual power. This scene fades out into an almost documentary style of filming a montage of her peers commenting on things she’s done to them or in general, for instance, “One time Regina punched me in the face, it was awesome.” This scene conveys Regina’s effortless supremacy within the confines of her school walls. Similarly the abuse of sexual power is quickly established in A Streetcar, when we are introduced to Stanley Kowalski throwing the bloodied, heavy package of meat to his fragile wife. We immediately label him as a primitive figure. We correlate this scene to an image of a lion laying down his kill to share. This opening scene gives a quick but reliable insight as to how Stanley abuses his masculine power. Regina is known throughout the school as the queen bee, She knows how to manipulate both students and teachers. When she meets Cady, she sees an opportunity to mould her into a “plastic” due to her naivety and vulnerability. “You’ve never been to a real school before?” “you know, you’re actually really pretty.” Both of these quotes are our understanding of Regina’s hidden agenda.