The textual representation of people and politics by composers in an ever so changing world reflects the conceptual desires of man encapsulating the ease of manipulating the attitudes and behaviors of the masses. This conceptualized view about how the world should be, a utopian ideology, results in a portrayal of a society grasped by the presence of higher power; in such representations the fundamental principle of human freedoms can be lost in the temptation of stability and perfection. Thus leading to a greater awareness of the complexity of human attitudes and behavior and how easy they are to control. Aldous Huxley’s western influenced novel Brave New World (1932), Masahiro Ando’s eastern influenced film Sword of a Stranger (2007) and Noel Pearson’s Gough Whitlam Eulogy all set up different contextual perspectives that show this concept thoroughly. Huxley’s novella faithfully represents human attitudes and behaviours to be recognised through the absence of difference; catalysed through the political apparatus of the state. Brave New World encapsulates and materialises the concept of a hegemonic world devoid of human thought through the symbolism of the World State as a controlling agent of the masses. The World State is built around utopian ideals portrayed as a realm governed by collective and authoritarian thought enforced through conditioning and social engineering. Huxley alludes to Pavlovian conditioning through the presentation of a mild electric shock when babies are presented with books, this fear instilment acts as an ironic metaphor as they are conditioned to stay away from the very thing that will free them, books, which serves as a symbol for intellectual progression . The world state has also eliminated the attitude of being sad through the biblical allusion of soma, “Christianity without tears that’s what soma is,” Soma is juxtaposed to Christianity as having no drawbacks or weakness’s thus implying the World States denial of religion and the acceptance of technological science as a regime to control human attitudes. Huxley has purposely represented this notion of technological science to allude to his own context a time were industrialisation was encapsulating the already secular societies of the world, thus allows the audience to appreciate the ways in which fundamental huma