To the audience watching the film “ Stranger With a Camera,” many wonder to what extent does the filmmaker, Elizabeth Barret’s personal connection to the town lead to a bias in the film? Filmmakers and paparazzi have a large amount of power because of their ability to simply alter the stories they publish. Did Barret alter the truth of what happened between Hugh O’Connor and Hobart Ison? This fact plays a key role in Elizabeth Barret's film Stranger with a Camera and allows the question to arise. Since most people take in the media with a grain of salt because the media never provides the full truth, then to what extent would the filmmakers in “Stranger with a Camera” have been able to document the stories of Hobart Ison and Hugh O’Conner and also the poverty in Appalachia without portraying a Bias? Although it may be easy to assume a bias knowing Elizabeth Barret’s personal connection to the town, in Stranger with a Camera, Barret did an excellent job at exploring the multiple perspectives of the situation in the film while keeping her views open-ended. Barret decided to include herself in the film because she was able to personally understand what was going on in the town as well as relate to the filmmaker’s dilemmas. “Stranger with a Camera” portrays a poor community in the coal-mining heart of Appalachia that attracted mass media attention that turned Appalachia into an icon in the nation’s War on Poverty. The area was analyzed thru the different cultures and how each culture collided with another. But how the town and cultures were being depicted angered many locals. There was a situation where a picture of a child was published and it gave the impression he was consuming dirt because he wasn’t fed properly. This angered the locals because everyone knew the child was actually fed properly and the media was portraying lies about the town. The town’s people were furiously angered because they knew that the stories they saw published about their community were not being portrayed truthfully and certain characteristics were being left out. When creating the film, Elizabeth Barret explored questions such as; what is the difference between how people see their home and how others represent it? As a storyteller, what are your responsibilities? Is it the filmmaker’s job to just tell what they see or give an analytical perspective? In Clifford Geertz excerpt “The Impact of the Concept of Culture on the Concept of Man” Geertz gives an effort to make the point that the concept of culture is the definition of man. In the essay, Geertz criticizes the popular analogy of a man and his culture as a form of an onion. Geertz gives several problems with this analogy, the most important the lack of true human and second that such universals cannot be attached to biological, psychological, or social organizations (Geertz, 38). So how does Geertz arguments relate to Elizab