Clint Eastwood the director and producer of ‘Gran Torino’ is about a Korean war veteran who’s the only American left living on the street of Detroit while other families and people from different ethnicity or culture move in around him. Walt Kowalski the role that Clint Eastwood is playing is the protagonist of the movie and he is represented to be a tough old man who has had enough of the people around him and he had just lost someone important in his life, his wife. The antagonist which is Spider, a leader of a Hmong asian gang also cousins with the neighbor of Walt, Thao and Sue Lor. Spider is trying to get Thao to join their gang but caught up between family issues. Walt Kowalski’s sons are materialistic and weak which does not portray the same masculinity that Walt has and his grandchildren are disrespectful and shallow. The plot develops as he decides to help the Hmong family that just moved next door, overcomes his prejudice by helping Thao, and putting an end to the terrorization of the relative gangsters. A particular scene which is powerful and is very important though out the whole movie is the scene where the wive of Walt Kowalski funeral.??The scene is introduced by a wide opening shot to show the other people in the chapel and to introduce Walt’s family. The panning shot stops in front of Walt. This is to show his body language and his responses towards the situation. A close up shot to one of the kids at the funeral as she comes to sit down wearing inappropriate clothing for a funeral. This then shows his hatred glare towards the disrespectful grand daughter. This scene is to show that his grand children are disrespectful and shallow and to show that Walt has no interest in them or affection for them. His two grown sons are the complete opposite figures to walt. Anti-Walt figures of masculinity, they are shown to be weak, hopeless men being tossed around by their materialistic wives. He also shows no interest